Write a poem about love without using the word love (or any derivations of it, like loving, lovely…). Instead, use as many words as you can that have “love” hidden inside of them: slovenly, glove, clover, cloven, foxglove, etc. If you choose, you could even include words like evolve and revolution, which contain the word love in them backwards.
Subhra Bhattacharya is providing a blog post this week on William Carlos Williams and his definition of variable foot. Come join us on Saturday March 4 2017 at 11am for an exciting workshop on this topic in Jersey City.
William Carlos Williams elevates the notion of poetic measure to the status of philosophical category. “… what is reality? How do we know reality? The only reality we know is MEASURE” he writes in his essay The poem as a field of action. Though an ardent proponent of free-verse, he disagrees with contemporary wisdom and the false connotation of ‘free’ in free verse, arguing that since measure is an intrinsic feature of poetry, no verse can be truly free, that would indicate lack of measure. Free verse, he says, is synonymous to verse with variable measure, as contrasted with traditional verse having a fixed measure.